Phung Huynh - Vann Nath
1 media/Screen Shot 2023-05-02 at 11.16.49 AM.png media/Screen Shot 2023-05-02 at 11.16.49 AM.png 2023-05-02T17:40:52+00:00 Marcus Herse 0219eb2a5a2992ddcae46fff7974d31b23cfc1a5 305 38 Page by Sweet Lou Mader Dauk image_header 2023-05-29T00:20:39+00:00 Marcus Herse 0219eb2a5a2992ddcae46fff7974d31b23cfc1a5Page
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Version 38
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| title | dcterms:title | Phung Huynh - Vann Nath |
| description | dcterms:description | Page by Sweet Lou Mader Dauk |
| content | sioc:content | VANN NATH:This work is a deep layered and though-provoking piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia."Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States." This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America. The exhibit LOOK! highlights the ideals of perspective, as well as perceived notions of society, environmentalism, human rights and so much more. This work integrates its way in this show perfectly, as it directly identifies a new way of looking and being within American society, and we can see it as a backbone to an important piece of the economic trends. It depicts the idea of humanity within that of inhumanity, which is an eye-opening concept that draws importance to the challenges that immigrants consistently face. It works well within the frame of perception as it offers one that is not primarily put on the forefront.
"> This work is a deep layered and though-provoking piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia. "Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States." This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America. The exhibit LOOK! highlights the ideals of perspective, as well as perceived notions of society, environmentalism, human rights and so much more. This work integrates its way in this show perfectly, as it directly identifies a new way of looking and being within American society, and we can see it as a backbone to an important piece of the economic trends. It depicts the idea of humanity within that of inhumanity, which is an eye-opening concept that draws importance to the challenges that immigrants consistently face. It works well within the frame of perception as it offers one that is not primarily put on the forefront.
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| title | dcterms:title | Phung Huynh - Vann Nath |
| description | dcterms:description | Sweet Lou Mader Dauk |
| content | sioc:content | VANN NATH:This work is a deep layered and though-provoking piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia."Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States." This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America. The exhibit LOOK! highlights the ideals of perspective, as well as perceived notions of society, environmentalism, human rights and so much more. This work integrates its way in this show perfectly, as it directly identifies a new way of looking and being within American society, and we can see it as a backbone to an important piece of the economic trends. It depicts the idea of humanity within that of inhumanity, which is an eye-opening concept that draws importance to the challenges that immigrants consistently face. It works well within the frame of perception as it offers one that is not primarily put on the forefront.
"> This work is a deep layered and though-provoking piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia. "Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States." This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America. The exhibit LOOK! highlights the ideals of perspective, as well as perceived notions of society, environmentalism, human rights and so much more. This work integrates its way in this show perfectly, as it directly identifies a new way of looking and being within American society, and we can see it as a backbone to an important piece of the economic trends. It depicts the idea of humanity within that of inhumanity, which is an eye-opening concept that draws importance to the challenges that immigrants consistently face. It works well within the frame of perception as it offers one that is not primarily put on the forefront.
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| title | dcterms:title | Phung Huynh - Vann Nath |
| description | dcterms:description | Sweet Lou Mader Dauk |
| content | sioc:content | VANN NATH:This work is a deep layered and though-provoking piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia."Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States." This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America. The exhibit LOOK! highlights the ideals of perspective, as well as perceived notions of society, environmentalism, human rights and so much more. This work integrates its way in this show perfectly, as it directly identifies a new way of looking and being within American society, and we can see it as a backbone to an important piece of the economic trends. It depicts the idea of humanity within that of inhumanity, which is an eye-opening concept that draws importance to the challenges that immigrants consistently face. It works well within the frame of perception as it offers one that is not primarily put on the forefront.
"> This work is a deep layered and though-provoking piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia. "Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States." This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America. The exhibit LOOK! highlights the ideals of perspective, as well as perceived notions of society, environmentalism, human rights and so much more. This work integrates its way in this show perfectly, as it directly identifies a new way of looking and being within American society, and we can see it as a backbone to an important piece of the economic trends. It depicts the idea of humanity within that of inhumanity, which is an eye-opening concept that draws importance to the challenges that immigrants consistently face. It works well within the frame of perception as it offers one that is not primarily put on the forefront.
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| title | dcterms:title | Phung Huynh - Vann Nath |
| description | dcterms:description | Sweet Lou Mader Dauk |
| content | sioc:content | VANN NATH:This work is a deep layered and though-provoking piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia."Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States." This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America. The exhibit LOOK! highlights the ideals of perspective, as well as perceived notions of society, environmentalism, human rights and so much more. This work integrates its way in this show perfectly, as it directly identifies a new way of looking and being within American society, and we can see it as a backbone to an important piece of the economic trends. It depicts the idea of humanity within that of inhumanity, which is an eye-opening concept that draws importance to the challenges that immigrants consistently face. It works well within the frame of perception as it offers one that is not primarily put on the forefront.
"> This work is a deep layered and though-provoking piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia. "Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States." This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America. The exhibit LOOK! highlights the ideals of perspective, as well as perceived notions of society, environmentalism, human rights and so much more. This work integrates its way in this show perfectly, as it directly identifies a new way of looking and being within American society, and we can see it as a backbone to an important piece of the economic trends. It depicts the idea of humanity within that of inhumanity, which is an eye-opening concept that draws importance to the challenges that immigrants consistently face. It works well within the frame of perception as it offers one that is not primarily put on the forefront.
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| title | dcterms:title | Phung Huynh - Vann Nath |
| description | dcterms:description | Sweet Lou Mader Dauk |
| content | sioc:content | VANN NATH:This work is a deep layered and though-provoking piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia."Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States." This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America. The exhibit LOOK! highlights the ideals of perspective, as well as perceived notions of society, environmentalism, human rights and so much more. This work integrates its way in this show perfectly, as it directly identifies a new way of looking and being within American society, and we can see it as a backbone to an important piece of the economic trends. It depicts the idea of humanity within that of inhumanity, which is an eye-opening concept that draws importance to the challenges that immigrants consistently face. It works well within the frame of perception as it offers one that is not primarily put on the forefront.
"> This work is a deep layered and though-provoking piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia. "Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States." This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America. The exhibit LOOK! highlights the ideals of perspective, as well as perceived notions of society, environmentalism, human rights and so much more. This work integrates its way in this show perfectly, as it directly identifies a new way of looking and being within American society, and we can see it as a backbone to an important piece of the economic trends. It depicts the idea of humanity within that of inhumanity, which is an eye-opening concept that draws importance to the challenges that immigrants consistently face. It works well within the frame of perception as it offers one that is not primarily put on the forefront.
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| versionnumber | ov:versionnumber | 33 |
| title | dcterms:title | Phung Huynh - Vann Nath |
| content | sioc:content | VANN NATH:This work is a deep layered and though-provoking piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia."Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States." This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America. The exhibit LOOK! highlights the ideals of perspective, as well as perceived notions of society, environmentalism, human rights and so much more. This work integrates its way in this show perfectly, as it directly identifies a new way of looking and being within American society, and we can see it as a backbone to an important piece of the economic trends. It depicts the idea of humanity within that of inhumanity, which is an eye-opening concept that draws importance to the challenges that immigrants consistently face. It works well within the frame of perception as it offers one that is not primarily put on the forefront.
"> This work is a deep layered and though-provoking piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia. "Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States." This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America. The exhibit LOOK! highlights the ideals of perspective, as well as perceived notions of society, environmentalism, human rights and so much more. This work integrates its way in this show perfectly, as it directly identifies a new way of looking and being within American society, and we can see it as a backbone to an important piece of the economic trends. It depicts the idea of humanity within that of inhumanity, which is an eye-opening concept that draws importance to the challenges that immigrants consistently face. It works well within the frame of perception as it offers one that is not primarily put on the forefront.
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| default view | scalar:defaultView | image_header |
| was attributed to | prov:wasAttributedTo | https://scalar.chapman.edu/scalar/look/users/274 |
| created | dcterms:created | 2023-05-04T18:29:56+00:00 |
| type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
Version 32
| resource | rdf:resource | https://scalar.chapman.edu/scalar/look/phung-huynh---vann-nath.32 |
| versionnumber | ov:versionnumber | 32 |
| title | dcterms:title | Phung Huynh - Vann Nath |
| content | sioc:content | VANN NATH:This work is a deep layered and though-provoking piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia."Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States." This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America. The exhibit LOOK! highlights the ideals of perspective, as well as perceived notions of society, environmentalism, human rights and so much more. This work integrates its way in this show perfectly, as it directly identifies a new way of looking and being within American society, and we can see it as a backbone to an important piece of the economic trends. It depicts the idea of humanity within that of inhumanity, which is an eye-opening concept that draws importance to the challenges that immigrants consistently face. It works well within the frame of perception as it offers one that is not primarily put on the forefront.
"> This work is a deep layered and though-provoking piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia. "Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States." This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America. The exhibit LOOK! highlights the ideals of perspective, as well as perceived notions of society, environmentalism, human rights and so much more. This work integrates its way in this show perfectly, as it directly identifies a new way of looking and being within American society, and we can see it as a backbone to an important piece of the economic trends. It depicts the idea of humanity within that of inhumanity, which is an eye-opening concept that draws importance to the challenges that immigrants consistently face. It works well within the frame of perception as it offers one that is not primarily put on the forefront.
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| default view | scalar:defaultView | image_header |
| was attributed to | prov:wasAttributedTo | https://scalar.chapman.edu/scalar/look/users/274 |
| created | dcterms:created | 2023-05-04T18:29:30+00:00 |
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Version 31
| resource | rdf:resource | https://scalar.chapman.edu/scalar/look/phung-huynh---vann-nath.31 |
| versionnumber | ov:versionnumber | 31 |
| title | dcterms:title | Phung Huynh - Vann Nath |
| content | sioc:content | VANN NATH:This work is a deep layered and though-provoking piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia."Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States." This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America. The exhibit LOOK! highlights the ideals of perspective, as well as perceived notions of society, environmentalism, human rights and so much more. This work integrates its way in this show perfectly, as it directly identifies a new way of looking and being within American society, and we can see it as a backbone to an important piece of the economic trends. It depicts the idea of humanity within that of inhumanity, which is an eye-opening concept that draws importance to the challenges that immigrants consistently face. It works well within the frame of perception as it offers one that is not primarily put on the forefront.
"> This work is a deep layered and though-provoking piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia. "Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States." This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America. The exhibit LOOK! highlights the ideals of perspective, as well as perceived notions of society, environmentalism, human rights and so much more. This work integrates its way in this show perfectly, as it directly identifies a new way of looking and being within American society, and we can see it as a backbone to an important piece of the economic trends. It depicts the idea of humanity within that of inhumanity, which is an eye-opening concept that draws importance to the challenges that immigrants consistently face. It works well within the frame of perception as it offers one that is not primarily put on the forefront.
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| default view | scalar:defaultView | image_header |
| was attributed to | prov:wasAttributedTo | https://scalar.chapman.edu/scalar/look/users/274 |
| created | dcterms:created | 2023-05-04T18:26:45+00:00 |
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Version 30
| resource | rdf:resource | https://scalar.chapman.edu/scalar/look/phung-huynh---vann-nath.30 |
| versionnumber | ov:versionnumber | 30 |
| title | dcterms:title | Phung Huynh - Vann Nath |
| content | sioc:content | VANN NATH:This work is a deep layered and though-provoking piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia."Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States." This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America. The exhibit LOOK! highlights the ideals of perspective, as well as perceived notions of society, environmentalism, human rights and so much more. This work integrates its way in this show perfectly, as it directly identifies a new way of looking and being within American society, and we can see it as a backbone to an important piece of the economic trends. It depicts the idea of humanity within that of inhumanity, which is an eye-opening concept that draws importance to the challenges that immigrants consistently face. It works well within the frame of perception as it offers one that is not primarily put on the forefront.
"> This work is a deep layered and though-provoking piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia. "Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States." This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America. The exhibit LOOK! highlights the ideals of perspective, as well as perceived notions of society, environmentalism, human rights and so much more. This work integrates its way in this show perfectly, as it directly identifies a new way of looking and being within American society, and we can see it as a backbone to an important piece of the economic trends. It depicts the idea of humanity within that of inhumanity, which is an eye-opening concept that draws importance to the challenges that immigrants consistently face. It works well within the frame of perception as it offers one that is not primarily put on the forefront.
|
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| was attributed to | prov:wasAttributedTo | https://scalar.chapman.edu/scalar/look/users/274 |
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Version 29
| resource | rdf:resource | https://scalar.chapman.edu/scalar/look/phung-huynh---vann-nath.29 |
| versionnumber | ov:versionnumber | 29 |
| title | dcterms:title | Phung Huynh - Vann Nath |
| content | sioc:content | VANN NATH:This work is a deep layered and though-provoking piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia."Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States." This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America. The exhibit LOOK! highlights the ideals of perspective, as well as perceived notions of society, environmentalism, human rights and so much more. This work integrates its way in this show perfectly, as it directly identifies a new way of looking and being within American society, and we can see it as a backbone to an important piece of the economic trends. It depicts the idea of humanity within that of inhumanity, which is an eye-opening concept that draws importance to the challenges that immigrants consistently face. It works well within the frame of perception as it offers one that is not primarily put on the forefront.
"> This work is a deep layered and though-provoking piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia. "Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States." This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America. The exhibit LOOK! highlights the ideals of perspective, as well as perceived notions of society, environmentalism, human rights and so much more. This work integrates its way in this show perfectly, as it directly identifies a new way of looking and being within American society, and we can see it as a backbone to an important piece of the economic trends. It depicts the idea of humanity within that of inhumanity, which is an eye-opening concept that draws importance to the challenges that immigrants consistently face. It works well within the frame of perception as it offers one that is not primarily put on the forefront.
|
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| was attributed to | prov:wasAttributedTo | https://scalar.chapman.edu/scalar/look/users/274 |
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Version 28
| resource | rdf:resource | https://scalar.chapman.edu/scalar/look/phung-huynh---vann-nath.28 |
| versionnumber | ov:versionnumber | 28 |
| title | dcterms:title | Phung Huynh - Vann Nath |
| content | sioc:content | VANN NATH:This work is a deep layered and though-provoking piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia."Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States." This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America. The exhibit LOOK! highlights the ideals of perspective, as well as perceived notions of society, environmentalism, human rights and so much more. This work integrates its way in this show perfectly, as it directly identifies a new way of looking and being within American society, and we can see it as a backbone to an important piece of the economic trends. It depicts the idea of humanity within that of inhumanity, which is an eye-opening concept that draws importance to the challenges that immigrants consistently face. It works well within the frame of perception as it offers one that is not primarily put on the forefront.
"> This work is a deep layered and though-provoking piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia. "Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States." This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America. The exhibit LOOK! highlights the ideals of perspective, as well as perceived notions of society, environmentalism, human rights and so much more. This work integrates its way in this show perfectly, as it directly identifies a new way of looking and being within American society, and we can see it as a backbone to an important piece of the economic trends. It depicts the idea of humanity within that of inhumanity, which is an eye-opening concept that draws importance to the challenges that immigrants consistently face. It works well within the frame of perception as it offers one that is not primarily put on the forefront.
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| default view | scalar:defaultView | plain |
| was attributed to | prov:wasAttributedTo | https://scalar.chapman.edu/scalar/look/users/274 |
| created | dcterms:created | 2023-05-04T18:18:14+00:00 |
| type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
Version 27
| resource | rdf:resource | https://scalar.chapman.edu/scalar/look/phung-huynh---vann-nath.27 |
| versionnumber | ov:versionnumber | 27 |
| title | dcterms:title | Phung Huynh - Vann Nath |
| content | sioc:content | VANN NATH:This work is a deep layered and though-provoking piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia."Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States." This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America. The exhibit LOOK! highlights the ideals of perspective, as well as perceived notions of society, environmentalism, human rights and so much more. This work integrates its way in this show perfectly, as it directly identifies a new way of looking and being within American society, and we can see it as a backbone to an important piece of the economic trends. It depicts the idea of humanity within that of inhumanity, which is an eye-opening concept that draws importance to the challenges that immigrants consistently face. It works well within the frame of perception as it offers one that is not primarily put on the forefront.
"> This work is a deep layered and though-provoking piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia. "Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States." This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America. The exhibit LOOK! highlights the ideals of perspective, as well as perceived notions of society, environmentalism, human rights and so much more. This work integrates its way in this show perfectly, as it directly identifies a new way of looking and being within American society, and we can see it as a backbone to an important piece of the economic trends. It depicts the idea of humanity within that of inhumanity, which is an eye-opening concept that draws importance to the challenges that immigrants consistently face. It works well within the frame of perception as it offers one that is not primarily put on the forefront.
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| default view | scalar:defaultView | plain |
| was attributed to | prov:wasAttributedTo | https://scalar.chapman.edu/scalar/look/users/274 |
| created | dcterms:created | 2023-05-04T18:10:34+00:00 |
| type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
Version 26
| resource | rdf:resource | https://scalar.chapman.edu/scalar/look/phung-huynh---vann-nath.26 |
| versionnumber | ov:versionnumber | 26 |
| title | dcterms:title | Phung Huynh - Vann Nath |
| content | sioc:content | VANN NATH:This work is a deep layered and though-provoking piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia."Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States." This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America. The exhibit LOOK! highlights the ideals of perspective, as well as perceived notions of society, environmentalism, human rights and so much more. This work integrates its way in this show perfectly, as it directly identifies a new way of looking and being within American society, and we can see it as a backbone to an important piece of the economic trends. It depicts the idea of humanity within that of inhumanity, which is an eye-opening concept that draws importance to the challenges that immigrants consistently face. It works well within the frame of perception as it offers one that is not primarily put on the forefront.
"> This work is a deep layered and though-provoking piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia. "Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States." This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America. The exhibit LOOK! highlights the ideals of perspective, as well as perceived notions of society, environmentalism, human rights and so much more. This work integrates its way in this show perfectly, as it directly identifies a new way of looking and being within American society, and we can see it as a backbone to an important piece of the economic trends. It depicts the idea of humanity within that of inhumanity, which is an eye-opening concept that draws importance to the challenges that immigrants consistently face. It works well within the frame of perception as it offers one that is not primarily put on the forefront.
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| default view | scalar:defaultView | plain |
| was attributed to | prov:wasAttributedTo | https://scalar.chapman.edu/scalar/look/users/274 |
| created | dcterms:created | 2023-05-04T18:10:00+00:00 |
| type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
Version 25
| resource | rdf:resource | https://scalar.chapman.edu/scalar/look/phung-huynh---vann-nath.25 |
| versionnumber | ov:versionnumber | 25 |
| title | dcterms:title | Phung Huynh - Vann Nath |
| content | sioc:content | VANN NATH:This work is a deep layered and though-provoking piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia."Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States." This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America. The exhibit LOOK! highlights the ideals of perspective, as well as perceived notions of society, environmentalism, human rights and so much more. This work integrates its way in this show perfectly, as it directly identifies a new way of looking and being within American society, and we can see it as a backbone to an important piece of the economic trends. It depicts the idea of humanity within that of inhumanity, which is an eye-opening concept that draws importance to the challenges that immigrants consistently face. It works well within the frame of perception as it offers one that is not primarily put on the forefront.
"> This work is a deep layered and though-provoking piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia. "Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States." This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America. The exhibit LOOK! highlights the ideals of perspective, as well as perceived notions of society, environmentalism, human rights and so much more. This work integrates its way in this show perfectly, as it directly identifies a new way of looking and being within American society, and we can see it as a backbone to an important piece of the economic trends. It depicts the idea of humanity within that of inhumanity, which is an eye-opening concept that draws importance to the challenges that immigrants consistently face. It works well within the frame of perception as it offers one that is not primarily put on the forefront.
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| default view | scalar:defaultView | image_header |
| was attributed to | prov:wasAttributedTo | https://scalar.chapman.edu/scalar/look/users/274 |
| created | dcterms:created | 2023-05-04T18:09:42+00:00 |
| type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
Version 24
| resource | rdf:resource | https://scalar.chapman.edu/scalar/look/phung-huynh---vann-nath.24 |
| versionnumber | ov:versionnumber | 24 |
| title | dcterms:title | Phung Huynh - Vann Nath |
| content | sioc:content | VANN NATH:This work is a deep layered and though-provoking piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia."Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States." This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America. The exhibit LOOK! highlights the ideals of perspective, as well as perceived notions of society, environmentalism, human rights and so much more. This work integrates its way in this show perfectly, as it directly identifies a new way of looking and being within American society, and we can see it as a backbone to an important piece of the economic trends. It depicts the idea of humanity within that of inhumanity, which is an eye-opening concept that draws importance to the challenges that immigrants consistently face. It works well within the frame of perception as it offers one that is not primarily put on the forefront.
"> This work is a deep layered and though-provoking piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia. "Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States." This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America. The exhibit LOOK! highlights the ideals of perspective, as well as perceived notions of society, environmentalism, human rights and so much more. This work integrates its way in this show perfectly, as it directly identifies a new way of looking and being within American society, and we can see it as a backbone to an important piece of the economic trends. It depicts the idea of humanity within that of inhumanity, which is an eye-opening concept that draws importance to the challenges that immigrants consistently face. It works well within the frame of perception as it offers one that is not primarily put on the forefront.
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| default view | scalar:defaultView | plain |
| was attributed to | prov:wasAttributedTo | https://scalar.chapman.edu/scalar/look/users/274 |
| created | dcterms:created | 2023-05-04T18:07:11+00:00 |
| type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
Version 23
| resource | rdf:resource | https://scalar.chapman.edu/scalar/look/phung-huynh---vann-nath.23 |
| versionnumber | ov:versionnumber | 23 |
| title | dcterms:title | Phung Huynh - Vann Nath |
| description | dcterms:description | I try to uncover the complex layers of cultural assimilation and forging new identities. It is more than just donuts and pink boxes. It is about being able to tell our own stories before they are told for us. It is about sharing our humanity when we are veiled by inhumanity. |
| content | sioc:content | VANN NATH:This work is a deep layered and though-provoking piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia."Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States." This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America.
"> This work is a deep layered and though-provoking piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia. "Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States." This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America.
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| default view | scalar:defaultView | plain |
| was attributed to | prov:wasAttributedTo | https://scalar.chapman.edu/scalar/look/users/274 |
| created | dcterms:created | 2023-05-04T17:44:09+00:00 |
| type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
Version 22
| resource | rdf:resource | https://scalar.chapman.edu/scalar/look/phung-huynh---vann-nath.22 |
| versionnumber | ov:versionnumber | 22 |
| title | dcterms:title | Phung Huynh - Vann Nath |
| description | dcterms:description | I try to uncover the complex layers of cultural assimilation and forging new identities. It is more than just donuts and pink boxes. It is about being able to tell our own stories before they are told for us. It is about sharing our humanity when we are veiled by inhumanity. |
| content | sioc:content | INTRO:This work is an interesting piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia.ARTIST BIO:"Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States."RESPONSE:This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America.
"> INTRO:This work is an interesting piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia.ARTIST BIO:"Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States."RESPONSE:This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America.
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| default view | scalar:defaultView | plain |
| was attributed to | prov:wasAttributedTo | https://scalar.chapman.edu/scalar/look/users/274 |
| created | dcterms:created | 2023-05-04T16:48:13+00:00 |
| type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
Version 21
| resource | rdf:resource | https://scalar.chapman.edu/scalar/look/phung-huynh---vann-nath.21 |
| versionnumber | ov:versionnumber | 21 |
| title | dcterms:title | Phung Huynh - Vann Nath |
| description | dcterms:description | I try to uncover the complex layers of cultural assimilation and forging new identities. It is more than just donuts and pink boxes. It is about being able to tell our own stories before they are told for us. It is about sharing our humanity when we are veiled by inhumanity. |
| content | sioc:content | I try to uncover the complex layers of cultural assimilation and forging new identities. It is more than just donuts and pink boxes. It is about being able to tell our own stories before they are told for us. It is about sharing our humanity when we are veiled by inhumanity.
This work is an interesting piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia. |
| default view | scalar:defaultView | plain |
| was attributed to | prov:wasAttributedTo | https://scalar.chapman.edu/scalar/look/users/274 |
| created | dcterms:created | 2023-05-04T16:44:37+00:00 |
| type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
Version 20
| resource | rdf:resource | https://scalar.chapman.edu/scalar/look/phung-huynh---vann-nath.20 |
| versionnumber | ov:versionnumber | 20 |
| title | dcterms:title | Phung Huynh - Vann Nath |
| description | dcterms:description | I try to uncover the complex layers of cultural assimilation and forging new identities. It is more than just donuts and pink boxes. It is about being able to tell our own stories before they are told for us. It is about sharing our humanity when we are veiled by inhumanity. |
| content | sioc:content | INTRO:This work is an interesting piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia.ARTIST BIO:"Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States."RESPONSE:This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America."> INTRO:This work is an interesting piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia.ARTIST BIO:"Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States."RESPONSE:This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America. |
| default view | scalar:defaultView | plain |
| was attributed to | prov:wasAttributedTo | https://scalar.chapman.edu/scalar/look/users/274 |
| created | dcterms:created | 2023-05-04T16:44:08+00:00 |
| type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
Version 19
| resource | rdf:resource | https://scalar.chapman.edu/scalar/look/phung-huynh---vann-nath.19 |
| versionnumber | ov:versionnumber | 19 |
| title | dcterms:title | Phung Huynh - Vann Nath |
| description | dcterms:description | I try to uncover the complex layers of cultural assimilation and forging new identities. It is more than just donuts and pink boxes. It is about being able to tell our own stories before they are told for us. It is about sharing our humanity when we are veiled by inhumanity. |
| content | sioc:content | INTRO:This work is an interesting piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia.ARTIST BIO:"Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States."RESPONSE:This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America."> INTRO:This work is an interesting piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia.ARTIST BIO:"Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States."RESPONSE:This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America. |
| default view | scalar:defaultView | plain |
| was attributed to | prov:wasAttributedTo | https://scalar.chapman.edu/scalar/look/users/274 |
| created | dcterms:created | 2023-05-04T16:43:54+00:00 |
| type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
Version 18
| resource | rdf:resource | https://scalar.chapman.edu/scalar/look/phung-huynh---vann-nath.18 |
| versionnumber | ov:versionnumber | 18 |
| title | dcterms:title | Phung Huynh - Vann Nath |
| description | dcterms:description | I try to uncover the complex layers of cultural assimilation and forging new identities. It is more than just donuts and pink boxes. It is about being able to tell our own stories before they are told for us. It is about sharing our humanity when we are veiled by inhumanity. |
| content | sioc:content | INTRO:This work is an interesting piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia.ARTIST BIO:"Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States."RESPONSE:This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America."> INTRO:This work is an interesting piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia.ARTIST BIO:"Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States."RESPONSE:This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America. |
| default view | scalar:defaultView | plain |
| was attributed to | prov:wasAttributedTo | https://scalar.chapman.edu/scalar/look/users/274 |
| created | dcterms:created | 2023-05-04T16:43:19+00:00 |
| type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
Version 17
| resource | rdf:resource | https://scalar.chapman.edu/scalar/look/phung-huynh---vann-nath.17 |
| versionnumber | ov:versionnumber | 17 |
| title | dcterms:title | Phung Huynh - Vann Nath |
| description | dcterms:description | I try to uncover the complex layers of cultural assimilation and forging new identities. It is more than just donuts and pink boxes. It is about being able to tell our own stories before they are told for us. It is about sharing our humanity when we are veiled by inhumanity. |
| content | sioc:content | I try to uncover the complex layers of cultural assimilation and forging new identities. It is more than just donuts and pink boxes. It is about being able to tell our own stories before they are told for us. It is about sharing our humanity when we are veiled by inhumanity.
This work is an interesting piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia.ARTIST BIO:"Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States."RESPONSE:This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America.">
This work is an interesting piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia.ARTIST BIO:"Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States."RESPONSE:This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America. |
| default view | scalar:defaultView | plain |
| was attributed to | prov:wasAttributedTo | https://scalar.chapman.edu/scalar/look/users/274 |
| created | dcterms:created | 2023-05-04T16:42:49+00:00 |
| type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
Version 16
| resource | rdf:resource | https://scalar.chapman.edu/scalar/look/phung-huynh---vann-nath.16 |
| versionnumber | ov:versionnumber | 16 |
| title | dcterms:title | Phung Huynh - Vann Nath |
| description | dcterms:description | I try to uncover the complex layers of cultural assimilation and forging new identities. It is more than just donuts and pink boxes. It is about being able to tell our own stories before they are told for us. It is about sharing our humanity when we are veiled by inhumanity. |
| content | sioc:content | INTRO:This work is an interesting piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia.ARTIST BIO:"Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States."RESPONSE:This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America."> INTRO:This work is an interesting piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia.ARTIST BIO:"Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States."RESPONSE:This work is from Hunyh’s collection of her Donut box works, in which “She draws the portraits of first-generation and second-generation Cambodian Americans on pink doughnut boxes' '. The use of these donut boxes is a symbol of a well-known sweet treat and is an emblem of Cambodian Refugees as “Close to 90% of California’s donut shops are mom-and-pop businesses run by Cambodian immigrants or Cambodian Americans (Khmericans).” Her medium is a direct notion to her heritage as well as thematic response to the integration of Cambodians in America, and how they are represented. Her subject choice to this specific piece is a clear depiction of activism and hope within Cambodia, in which she then coincides with that of the American Dream, showing aspects of immigration and Cambodian influence in that of America. |
| default view | scalar:defaultView | plain |
| was attributed to | prov:wasAttributedTo | https://scalar.chapman.edu/scalar/look/users/274 |
| created | dcterms:created | 2023-05-04T16:40:49+00:00 |
| type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
Version 15
| resource | rdf:resource | https://scalar.chapman.edu/scalar/look/phung-huynh---vann-nath.15 |
| versionnumber | ov:versionnumber | 15 |
| title | dcterms:title | Phung Huynh - Vann Nath |
| content | sioc:content | INTRO: This work is an interesting piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia. ARTIST BIO: "Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States." RESPONSE: ">INTRO: This work is an interesting piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia. ARTIST BIO: "Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States." RESPONSE: |
| default view | scalar:defaultView | plain |
| was attributed to | prov:wasAttributedTo | https://scalar.chapman.edu/scalar/look/users/274 |
| created | dcterms:created | 2023-05-04T16:32:16+00:00 |
| type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
Version 14
| resource | rdf:resource | https://scalar.chapman.edu/scalar/look/phung-huynh---vann-nath.14 |
| versionnumber | ov:versionnumber | 14 |
| title | dcterms:title | Phung Huynh - Vann Nath |
| content | sioc:content | INTRO: This work is an interesting piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia. ARTIST BIO: "Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States." RESPONSE: ">INTRO: This work is an interesting piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia. ARTIST BIO: "Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States." RESPONSE: |
| default view | scalar:defaultView | plain |
| was attributed to | prov:wasAttributedTo | https://scalar.chapman.edu/scalar/look/users/274 |
| created | dcterms:created | 2023-05-04T16:31:03+00:00 |
| type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
Version 13
| resource | rdf:resource | https://scalar.chapman.edu/scalar/look/phung-huynh---vann-nath.13 |
| versionnumber | ov:versionnumber | 13 |
| title | dcterms:title | Phung Huynh - Vann Nath |
| content | sioc:content | INTRO: This work is an interesting piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia. ARTIST BIO: "Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States." RESPONSE: ">INTRO: This work is an interesting piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia. ARTIST BIO: "Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States." RESPONSE: |
| default view | scalar:defaultView | plain |
| was attributed to | prov:wasAttributedTo | https://scalar.chapman.edu/scalar/look/users/274 |
| created | dcterms:created | 2023-05-04T16:28:10+00:00 |
| type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
Version 12
| resource | rdf:resource | https://scalar.chapman.edu/scalar/look/phung-huynh---vann-nath.12 |
| versionnumber | ov:versionnumber | 12 |
| title | dcterms:title | Phung Huynh - Vann Nath |
| content | sioc:content | INTRO: This work is an interesting piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia. ARTIST BIO: Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States. RESPONSE: ">INTRO: This work is an interesting piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia. ARTIST BIO: Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States. RESPONSE: |
| default view | scalar:defaultView | plain |
| was attributed to | prov:wasAttributedTo | https://scalar.chapman.edu/scalar/look/users/274 |
| created | dcterms:created | 2023-05-04T16:16:18+00:00 |
| type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
Version 11
| resource | rdf:resource | https://scalar.chapman.edu/scalar/look/phung-huynh---vann-nath.11 |
| versionnumber | ov:versionnumber | 11 |
| title | dcterms:title | Phung Huynh - Vann Nath |
| content | sioc:content | INTRO: This work is an interesting piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia. ARTIST BIO: Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States. RESPONSE: ">INTRO: This work is an interesting piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia. ARTIST BIO: Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States. RESPONSE: |
| default view | scalar:defaultView | plain |
| was attributed to | prov:wasAttributedTo | https://scalar.chapman.edu/scalar/look/users/274 |
| created | dcterms:created | 2023-05-04T16:15:42+00:00 |
| type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
Version 10
| resource | rdf:resource | https://scalar.chapman.edu/scalar/look/phung-huynh---vann-nath.10 |
| versionnumber | ov:versionnumber | 10 |
| title | dcterms:title | Phung Huynh - Vann Nath |
| content | sioc:content | INTRO: This work is an interesting piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia. ARTIST BIO: Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States. RESPONSE: "> INTRO: This work is an interesting piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia. ARTIST BIO: Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States. RESPONSE: |
| default view | scalar:defaultView | plain |
| was attributed to | prov:wasAttributedTo | https://scalar.chapman.edu/scalar/look/users/274 |
| created | dcterms:created | 2023-05-04T16:15:24+00:00 |
| type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
Version 9
| resource | rdf:resource | https://scalar.chapman.edu/scalar/look/phung-huynh---vann-nath.9 |
| versionnumber | ov:versionnumber | 9 |
| title | dcterms:title | Phung Huynh - Vann Nath |
| content | sioc:content | INTRO: This work is an interesting piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia. ARTIST BIO: Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States. RESPONSE: |
| default view | scalar:defaultView | image_header |
| was attributed to | prov:wasAttributedTo | https://scalar.chapman.edu/scalar/look/users/274 |
| created | dcterms:created | 2023-05-02T18:39:06+00:00 |
| type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
Version 8
| resource | rdf:resource | https://scalar.chapman.edu/scalar/look/phung-huynh---vann-nath.8 |
| versionnumber | ov:versionnumber | 8 |
| title | dcterms:title | Phung Huynh - Vann Nath |
| content | sioc:content | INTRO: This work is an interesting piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia. ARTIST BIO: Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States. RESPONSE: |
| default view | scalar:defaultView | image_header |
| was attributed to | prov:wasAttributedTo | https://scalar.chapman.edu/scalar/look/users/274 |
| created | dcterms:created | 2023-05-02T18:37:56+00:00 |
| type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
Version 7
| resource | rdf:resource | https://scalar.chapman.edu/scalar/look/phung-huynh---vann-nath.7 |
| versionnumber | ov:versionnumber | 7 |
| title | dcterms:title | Phung Huynh - Vann Nath, |
| content | sioc:content | INTRO: This work is an interesting piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia. ARTIST BIO: Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States. |
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| was attributed to | prov:wasAttributedTo | https://scalar.chapman.edu/scalar/look/users/274 |
| created | dcterms:created | 2023-05-02T18:19:05+00:00 |
| type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
Version 6
| resource | rdf:resource | https://scalar.chapman.edu/scalar/look/phung-huynh---vann-nath.6 |
| versionnumber | ov:versionnumber | 6 |
| title | dcterms:title | Phung Huynh - Vann Nath, |
| content | sioc:content | INTRO: This work is an interesting piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia. ARTIST BIO: Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States. |
| default view | scalar:defaultView | image_header |
| was attributed to | prov:wasAttributedTo | https://scalar.chapman.edu/scalar/look/users/274 |
| created | dcterms:created | 2023-05-02T18:18:52+00:00 |
| type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
Version 5
| resource | rdf:resource | https://scalar.chapman.edu/scalar/look/phung-huynh---vann-nath.5 |
| versionnumber | ov:versionnumber | 5 |
| title | dcterms:title | Phung Huynh - Vann Nath, |
| content | sioc:content | INTRO: This work is an interesting piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia. ARTIST BIO: Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States. |
| default view | scalar:defaultView | plain |
| was attributed to | prov:wasAttributedTo | https://scalar.chapman.edu/scalar/look/users/274 |
| created | dcterms:created | 2023-05-02T18:18:36+00:00 |
| type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
Version 4
| resource | rdf:resource | https://scalar.chapman.edu/scalar/look/phung-huynh---vann-nath.4 |
| versionnumber | ov:versionnumber | 4 |
| title | dcterms:title | Phung Huynh - Vann Nath, |
| content | sioc:content | INTRO: This work is an interesting piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia. ARTIST BIO: Phung Huynh is a Los Angeles-based artist and educator whose practice includes drawing, painting, public art, and community engagement. Her work explores cultural perception and representation. Huynh challenges beauty standards by constructing images of the Asian female body vis-à-vis plastic surgery to unpack how contemporary cosmetic surgery can whitewash cultural and racial identity. Her work of drawings and prints on pink donut boxes explores the complexities of assimilation and cultural negotiation among Cambodian and Vietnamese refugees who have resettled in the United States. |
| default view | scalar:defaultView | plain |
| was attributed to | prov:wasAttributedTo | https://scalar.chapman.edu/scalar/look/users/274 |
| created | dcterms:created | 2023-05-02T18:16:23+00:00 |
| type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
Version 3
| resource | rdf:resource | https://scalar.chapman.edu/scalar/look/phung-huynh---vann-nath.3 |
| versionnumber | ov:versionnumber | 3 |
| title | dcterms:title | Phung Huynh - Vann Nath, |
| content | sioc:content | This work is an interesting piece created by the artist Phung Huynh in 2019. The piece is that of a graphite drawing, utilizing a pink donut box as a canvas. The drawing displays a side profile portrait of an older man, who we as viewers can assume to be Vann Nath, which is the title of the work. The drawing is also encased in a stylistic border surrounding the portrait, alluding to the artist's Cambodian heritage. What is inciting to note is the subject of the piece, that being a portrait of Vann Nath who is a Cambodian painter, writer, and artist who used his talents to promote Civil Rights. Nath memoirs his paintings of the Tuol Sleng Prison, and as a testimony to the injustices faced from the Khmer Rouge and the communist regime during that of the Cambodian Genocide. Hunyh works to encapsulate her heritage through her subject matter to call on to the point of Civil justices within Cambodia. |
| default view | scalar:defaultView | plain |
| was attributed to | prov:wasAttributedTo | https://scalar.chapman.edu/scalar/look/users/274 |
| created | dcterms:created | 2023-05-02T18:13:58+00:00 |
| type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
Version 2
| resource | rdf:resource | https://scalar.chapman.edu/scalar/look/phung-huynh---vann-nath.2 |
| versionnumber | ov:versionnumber | 2 |
| title | dcterms:title | Phung Huynh - Vann Nath, |
| content | sioc:content | Sweet Lou Mader Dauk |
| default view | scalar:defaultView | plain |
| was attributed to | prov:wasAttributedTo | https://scalar.chapman.edu/scalar/look/users/20 |
| created | dcterms:created | 2023-05-02T18:07:48+00:00 |
| type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
Version 1
| resource | rdf:resource | https://scalar.chapman.edu/scalar/look/phung-huynh---vann-nath.1 |
| versionnumber | ov:versionnumber | 1 |
| title | dcterms:title | Phung Huynh - Vann Nath, |
| content | sioc:content | Sweet Lou Mader Dauk |
| default view | scalar:defaultView | plain |
| was attributed to | prov:wasAttributedTo | https://scalar.chapman.edu/scalar/look/users/20 |
| created | dcterms:created | 2023-05-02T17:40:52+00:00 |
| type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |