Wikinson College Dean's SuiteMain MenuIntroductionTea TankWe Are All Mountaineers - Exit (出)Virgen de Mickey, BlueDespués del trabajoSan Diego - Tijuana XI, Frontera USA - MexicoCabaray: Observatory Venus at the Lover’s HourColor Farm Study#28Parting of the Ways, Green River (triptych)Friendship Launch, after Katherine JohnsonRacism Doesn’t Rest During a Pandemic Pee Chee (No Justice No Peace)The PeacekeepersMathewSamplerEl Sueño Americano (The American Dream)
We Are All Mountaineers - Exit (出)
12021-04-27T17:41:13+00:00Jessica Bocinskia602570e86f7a6936e40ab07e0fddca6eccf4e9b272Bovey Lee, We Are All Mountaineers - Exit (出), Chinese xuan paper on silk, 2018. Purchased with funds from the Escalette Endowmentplain2021-04-27T17:42:50+00:00Jessica Bocinskia602570e86f7a6936e40ab07e0fddca6eccf4e9b
This page is referenced by:
1media/Screenshot 2021-04-27 155951.jpg2021-04-20T23:16:17+00:00We Are All Mountaineers - Exit (出)8plain2021-04-27T23:02:48+00:00 BOVEY LEE’S WE ARE ALL MOUNTAINEERS - EXIT (出) (2018) calls out injustice and hypocrisy with poetic appeals aimed at the viewer’s heart. Lee’s intricate lattices depict complex social narratives while paying homage to the ancient Chinese folk tradition of paper cutting, an activity performed by women who work anonymously and without credit. The piece We Are All Mountaineers - Exit (出) depicts the history of immigration in the United States, with mountains and several US cities populated by immigrants serving as a backdrop. Recurring motifs in the series– including stars, gates, fences, and oceans– all stem from this work. The Star series, for example, references the American flag and depicts children alone and in suspended poses. Each child seeks comfort and stability through play or toys, while staying afloat in the transitory ocean with poise and courage.
