LOOK!Main MenuLOOK!On PerceptionARTISTSCarlos Almaraz - Southwest SongPage by Tayla GraingerEdith Baumann - Black/Green #3Page by Eugene KimMaia Cruz Palileo - Misty MorningPage by Gabby GuevaraMichael Dopp - Untitled (film still)Rotimi Fani-Kayode - Untitled and In Gods We TrustPage by Kennedy CardenasAnn Hamilton - Warp & Weft IIPage by Mya MannoniMicol Hebron & William KentridgePage by Chelsea FarinaroPhung Huynh - Vann NathPage by Sweet Lou Mader DaukTom Kiefer - Candy TargetPage by Connor ChoyBovey Lee - Application for NaturalizationPage by Nicola TrojovskyAlejandro Martinez - UntitledPage by Viviana JuarezPatrick Martinez - Po-lice Misconduct MisprintPage by Hannah EmersonLari Pittman - UntitledRobert Rauschenberg - StrawbossPage by Bella OcaƱaInna Ray - (Series) Winter Black Mesquite, Baker CreekEd Ruscha - Pico and SepulvedaMasami Teraoka - New Views of Mt. FujiAnna Valdez - Blue Shell Decorative Frame with Sea ScapePeter Williams - Geegee (He had red Hair)Page by Kennedy CardenasJenny Yurshansky - The Border Will Not Hold #1Page by Arianna Patterson
Artist Soo Kim (b. 1969, Seoul, Korea) often uses techniques of cutting and layering to introduce areas of absence or disruption within photographs. She believes that this lengthy process infuses the photographs with “slowness” that finds its counterpart in the amount of time it takes for viewers to comprehend them. That was because this year of course will go on is a relief sculpture in paper is a study in white, and a monochromatic exploration of how light and shadows create image. The branches in this sculpture are all tangled together and without order. The branches change color based on how separated it is from its plane, and how the light interacts with it. The absence of color emphasizes the floating, anti-gravitational structure, that not only exposes the fragile nature of the paper, but the attention to detail within the sculpture.
Kim's That was because this year of course will go on uses basic identifiers, such as light, form, and structure to create a familiar image. Similarly to how a sun casts a shadow on a leafless tree, different lights create different shadows against the white background. Even without color, the seemingly falling, and delicate paper branches create the structure and the color even in the absence of it.