Nicole Daskas: A RetrospectiveMain MenuArtist StatementRetrospective Catalog EssayExhibitionPerformanceVideoCollageInstallationRelicsInterviewsThe Leaky Female BodyThe Cube is ComingNicole Daskas37d714bed815e3e0d330b9edb356306395d95735
Love Letter to My Favorite Artists
12021-02-11T06:49:34+00:00Nicole Daskas37d714bed815e3e0d330b9edb356306395d95735842Love Letter to My Favorite Artistsplain2021-04-23T04:16:06+00:00Nicole Daskas37d714bed815e3e0d330b9edb356306395d95735
The Western art historical canon consists of depictions of women as objects of the Male Gaze. Women served as muses rather than artists, a result of sexist institutions and constructions as outlined by Linda Nochlin’s essay “Why Have There Been No Great Women Artists?”. As video cameras became portable and accessible, a new medium developed. Artists could both perform for the camera and document their actions. Video art allowed women artists to serve as both artist and subject, break the fourth wall, and represent their body and image on their own terms.