The Ubume Challenge: A Digital Environmental Humanities ProjectMain MenuCritical StatementIntroductionThe Ubume in the Konjaku MonogatarishūHeian, Japan, roughly 1120The Ubume in the Gazu Hyakki YagyōThe Ubume in the Momo ChallengeUnited States, 2019-2020ReferencesAppendixSam Risakde15aa325cf1a30890aaebf382bf4d5ee8842ca6
Sekien leader
12020-05-10T16:48:06+00:00Sam Risakde15aa325cf1a30890aaebf382bf4d5ee8842ca641plain2020-05-10T16:48:06+00:00Sam Risakde15aa325cf1a30890aaebf382bf4d5ee8842ca6Sekien even refers to this market-driven world in his preface, noting that, despite his “embarrassment” at the “unworthiness” of his illustrations, he continues to present them to satisfy consumer demand (Foster 70).