We Were Then, We Are Now Main MenuWelcomeThe Angelino by River GarzaThe Mothership II by Laurie SteelinkL.A. Overseer by Katie DorameNaomi by Cara RomeroOur House Made of Spiderwebs - ‘Eyookin Wereechey by Mercedes DorameCoyote Dance with Me - Iitar Nečoova Yakeenax by Mercedes DorameThe United States of Amnesia II by Gerald ClarkeOne Tract Mind: Baskets by Gerald Clarke
First American Girl Series: NAOMI, Cara Romero
12022-12-08T17:53:09+00:00Jessica Bocinskia602570e86f7a6936e40ab07e0fddca6eccf4e9b2771Experience 37: MATRIARCHS featured artist Cara Romero is a visual storyteller and raised on the Chemehuevi Vallery Indian Reservation in the Mojave Desert. Cara uses photography as a way to reclaim and portray contemporary Indigenous identity in beautiful and authentic ways. In this video, Cara talks about her ongoing project "First American Girl Series."plain2022-12-08T17:53:09+00:00Jessica Bocinskia602570e86f7a6936e40ab07e0fddca6eccf4e9b
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1media/2021.27.4.jpgmedia/2021.27.4.jpg2022-12-08T19:25:49+00:00Naomi by Cara Romero3image_header2022-12-08T22:01:53+00:00Cara Romero is a contemporary fine art photographer. An enrolled citizen of the Chemehuevi Indian Tribe, Romero was raised between contrasting settings: the rural Chemehuevi reservation in Mojave Desert, CA and the urban sprawl of Houston, TX. Romero’s identity informs her photography, a blend of fine art and editorial photography, shaped by years of study and a visceral approach to representing Indigenous and non-Indigenous cultural memory, collective history, and lived experiences from a Native American female perspective.
"As an Indigenous photographer, I embrace photography as my tool to resist Eurocentric narratives and as a means for opening audiences’ perspectives to the fascinating diversity of living Indigenous peoples. My approach fuses time-honored and culturally specific symbols with 21st-century ideas . This strategy reinforces the ways we exist as contemporary Native Americans, all the while affirming that Indigenous culture is continually evolving and imminently permanent." - Cara Romero
Naomi by Cara Romero represents one of the first “American Girls.” The model is a Northern Chumash woman from San Luis Obispo; her mother is a regalia maker. Unlike much of Romero’s work, Naomi does not use photoshop and was created with real props and a full-size box. Posing like a Barbie doll, Naomi is “an examination of past misrepresentation of indigenous women as dolls and it is meant to reclaim an identity” by juxtaposing the modern world with her rich and beautifully complex culture. The eye-catching black and white triangles and pink ground create a contemporary Californian vibe that fuses with the traditional Native American dress and objects. Romero creates a space for her community to speak out about their relationships and adjustments to the contemporary world. Her work asks that we create a safe future for girls like Naomi to embody their own values and traditions.