We Were Then, We Are Now Main MenuWelcomeThe Angelino by River GarzaThe Mothership II by Laurie SteelinkL.A. Overseer by Katie DorameNaomi by Cara RomeroOur House Made of Spiderwebs - ‘Eyookin Wereechey by Mercedes DorameCoyote Dance with Me - Iitar Nečoova Yakeenax by Mercedes DorameThe United States of Amnesia II by Gerald ClarkeOne Tract Mind: Baskets by Gerald Clarke
Coyote Dance with Me - Iitar Nečoova Yakeenax
1media/2022.6.2_thumb.jpeg2022-12-08T17:44:45+00:00Jessica Bocinskia602570e86f7a6936e40ab07e0fddca6eccf4e9b2771Mercedes Dorame, Coyote Dance with Me - Iitar Nečoova Yakeenax, Archival pigment print, 2018. Purchased with funds from the Ellingson Family.plain2022-12-08T17:44:45+00:00093128-070020170820test20170819Picture 057Jessica Bocinskia602570e86f7a6936e40ab07e0fddca6eccf4e9b
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1media/2022.6.2.jpegmedia/2022.6.2.jpeg2022-12-08T19:16:20+00:00Coyote Dance with Me - Iitar Nečoova Yakeenax by Mercedes Dorame5image_header2022-12-08T22:03:11+00:00Mercedes Dorame, born in Los Angeles, California, received her MFA from the San Francisco Art Institute and her undergraduate degree from UCLA. She calls on her Tongva ancestry to engage the problematics of (in)visibility and ideas of cultural construction.
"My work explores the construction of culture and ceremony as outcomes of the need to tie one’s existence to the land. My heritage as a member of the Tongva tribe in Los Angeles connects me deeply to the landscape of California. I am interested in the problematics of living in a place that once belonged to your ancestors, a place you feel connected to, yet have lost access to. Our tribe has no federal recognition, and therefore no reservation land and no gathering place. This lack of physical space to congregate in and use for ceremony creates a collection of individuals constantly challenging and grappling with authenticity and inclusion/exclusion from the larger group. By working in landscapes I am connected to, I engage ideas of authenticity, ceremony and community." - Mercedes Dorame
Like many members of the Gabrielino Tongva Indians of California, Mercedes Dorame feels “deep loss at not having space to gather to perform ceremony, at not having a space that is really ours.” Dorame comes from a family of artists, including her father and her sister Katie (whose work is also part of this exhibition). Through her art she aspires to a deeper understanding and reclamation of place, describing work such as this as a “ceremonial intervention.” Coyote Dance With Me explores “the construction of culture and origin stories as outcomes of the need to tie one’s existence to the land.” Here, the photographed land, originally Tongva territory, is full of organic materials used in traditional ceremonies and rituals.