We Hereby Refuse
1 media/WHR-cover art_thumb.jpeg 2022-10-23T23:51:59+00:00 stephanie takaragawa 1d2e1252301aeca0fbea50c7dc35d44249a1e1f1 156 1 We Hereby Refuse cover art plain 2022-10-23T23:51:59+00:00 stephanie takaragawa 1d2e1252301aeca0fbea50c7dc35d44249a1e1f1This page is referenced by:
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Comics After Camp
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In 1988 when Ronald Reagan signed the Civil Liberties Act, a victory was claimed for the Japanese American community who received a public presidential apology and reparations. This act also sponsored research and public education projects. But more significantly it changed the narrative around the Japanese American incarceration, creating space for new representations.
With the growing popularity of Comic-Con, anime, and graphic novels over the past 10 years, it is not surprising that these platforms are the home for new stories about the Japanese American Incarceration. Many of these artists and writers use their art to address topics that were ignored for a long time, including the violation of civil liberties, rampant racism, resource grabs, and other issues that were at the heart of the Incarceration.
These imaginings of the past also provide the opportunity for Japanese Americans to be seen in a sympathetic and human light and for superheroes to defend the Japanese Americans rather than reinforce their vilification. In the DC comic Bombshells, for example, Superwoman is shown protecting Japanese Americans' civil liberties and saving them from the horrors of camp. This is a drastic shift from the depictions of camp seen in the Superman comics of World War II.Displacement by Kiku Hughes
A teenager is pulled back in time to witness her grandmother's experiences in World War II-era Japanese internment camps in Displacement, a historical graphic novel from Kiku Hughes.
Want to Learn More?
Listen to Kiku Hughes, author of Displacement, here.Fred Korematsu Speaks Up by Laura Atkins and Stan Yogi
The story of Fred Korematsu’s fight against discrimination explores the life of one courageous person who made the United States a fairer place for all Americans, and it encourages all of us to speak up for justice.
Gaijin by Matt Faulkner
This searing, cinematic graphic novel, by acclaimed author Matt Faulkner follows the story of Koji, a biracial prisoner in WWII America as he struggles to find his place.
Stealing Home by J. Torres and David Namisato
In this emotionally gripping graphic novel, J. Torres weaves fictional story into a historically accurate, thoroughly researched account of the events surrounding the internment of Japanese Canadians during World War II.
Take What You Can Carry by Kevin C. Pyle
A cross-generation, back and forth narrative that tells the story of a young boy in a Japanese internment camp during World War II and a young man in 1978 California who steals because he is bored and lonely.
They Called Us Enemy by George Takei, Justin Eisinger, and Steven R. Scott
A stunning graphic memoir recounting actor/author/activist George Takei's childhood imprisoned within American concentration camps during World War II. Experience the forces that shaped an American icon— and America itself— in this gripping tale of courage, country, loyalty, and love.
Those Who Helped Us by Ken Mochizuki and Kiku Hughes
As the young girls struggle with the horrors of being imprisoned in the dusty desert, they also find solace in the fact that some people chose to help. This story highlights the actual actions and experiences of those neighbors and friends.We Hereby Refuse by Frank Abe and Tamiko Nimura
We Hereby Refuse: Japanese American Resistance to Wartime Incarceration is the story of camp as you’ve never seen it before. A new graphic novel which presents an original vision of America’s past with disturbing links to the American present.
Want to Learn More?
Listen to Frank Abe, co-author of We Hereby Refuse, here.Let's Talk About It!
1. Which graphic novel would you like to read? Why? Is this graphic novel available in your library?
2. As far as you can tell, how are Japanese Americans and the Incarceration depicted in these graphic novels?
3. How are these depictions similar or different from the comics made by Japanese Americans during WWII? Are there any topics or themes that you see repeated here? -
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We Hereby Refuse
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Frank Abe's We Hereby Refuse documents the stories of resistance.
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We Hereby Refuse: Japanese American Resistance to Wartime Incarceration is the story of camp as you’ve never seen it before, a new graphic novel which presents an original vision of America’s past with disturbing links to the American present.
Japanese Americans complied when evicted from their homes in World War II – but many refused to submit to imprisonment in American concentration camps without a fight. For the first time, three of their stories are woven together into one epic narrative. In We Hereby Refuse, we meet:
- Jim Akutsu, the inspiration for John Okada’s No-No Boy, who refused to be drafted from the camp at Minidoka after he was classified as a non-citizen, an enemy alien;
- Hiroshi Kashiwagi, who resists government pressure to sign a loyalty oath at Tule Lake, but yields to family pressure to renounce his U.S. citizenship;
- And for the first time, we hear the personal voice of Mitsuye Endo, a reluctant recruit to a lawsuit contesting her imprisonment, who refuses a chance to leave the camp at Topaz so that her case could reach the U.S. Supreme Court.
Through these characters, we see the devastating impacts of mass incarceration based solely on race, and reveal the depth and breadth of the long-suppressed story of camp resistance.
We Hereby Refuse is accompanied by an online Educators Guide for secondary schools. It was commissioned by the Wing Luke Museum of the Asian Pacific American Experience through a Japanese American Confinement Sites Grant from the National Park Service.
The Writers
FRANK ABE wrote and directed the PBS film on the largest organized resistance to incarceration, Conscience and the Constitution. He won an American Book Award for JOHN OKADA: The Life and Rediscovered Work of the Author of No-No Boy, and is co-editing a new anthology of incarceration literature for Penguin Classics. He blogs at Resisters.com.
TAMIKO NIMURA is a Sansei/Pinay writer living in Tacoma. Her work moves through the intersections of the personal, political, and historical. She contributes regularly to HistoryLink.org and Discover Nikkei, and can be found at tamikonimura.net.
The Artists
ROSS ISHIKAWA is a cartoonist and animator living in Seattle. He is working on a graphic novel about his parents and their coming of age during World War II. His work is online at rossishikawa.com.
MATT SASAKI is the artist on the previous volume in this series, Fighting for America: Nisei Soldiers. He lives with his wife and dog north of Seattle. Samples of his other work are online at mattsasaki.com.